Wednesday, March 11, 2026

The First and Only Time They Held the State Basketball Tournament in Kingsport

 


STATE TOURNAMENT HELD IN D-B GYM IN 1938!

1926 photo of new Dobyns-Bennett High School. Gym is on far end. 


When Coach Wilkes told us, nobody believed him.

It was the winter of 1963 and the B-team was in the middle of one of our endless practices in the “old gym” at Dobyns-Bennett High School in Kingsport, Tennesssee. At the time we called it the “Old Gym” because it was the original gym, replaced in 1950 by the new Sprankle Gym. It was also called the “Girls’ Gym” because that’s where girls’ gym classes were held.

Coach Wilkes asked if we knew that they had held the state tournament in this gym years earlier. No one believed him. They would never hold the Tennessee State Basketball Tournament in this bandbox of a gym.

I don’t think he ever brought it up again and I hadn’t thought of it until I ran across this headline in an old issue of the Kingsport Times:

Tennessee Cage Tournament Is Awarded Kingsport

It was a banner headline all the way across the top of the Sunday Sports Section of the Feb. 6, 1938 Kingsport Times.

1938!

Twenty-five years before that long ago conversation with Coach Wilkes, the state tournament was held in Kingsport.

At that time it was Dobyns-Bennett’s only gymnasium; it would be another twelve years before Sprankle Gym was added.

Dobyns-Bennett has had three gymnasiums since the school was first built in 1926 and that old “girls’ gym” would seem the least likely to host a state tournament.

The current facility, the Buck Van Huss Dome, seats 5,500 for basketball. Its predecessor, Sprankle Gym, held, 2,000 spectators. The D-B Gym, it’s official name in 1938, accommodated only 650. The court was only 75 feet long compared to Sprankle’s 84 feet. A state tournament in that?

It was a different time.

 

Before there was the D-B Dome, there was Sprankle Gym. And before there was Sprankle Gym, there was the D-B Gym.

For my generation, Sprankle was the heartbeat of the school, not just a basketball arena, but a place to gather before school and at lunchtime, a place for baccalaureate and commencement exercises, a sanctuary for our weekly Monday morning devotionals featuring a rotating cast of local ministers.

But Sprankle only served D-B’s needs for 17 years, replaced in 1967 by a new arena – the D-B Dome – and a new school building. The Buck Van Huss Dome, as it is now known, has been home to D-B basketball for 59 years!

In fact Sprankle was D-B’s basketball gym for less time than its namesake served as D-B’s basketball coach (LeRoy Sprankle was coach for 21 years, 1922-1943). It was the school gym for a shorter period of time than the original D-B gym which was in use from the time Dobyns-Bennett opened its doors in 1926, replacing Kingsport Central High School (which my generation knows as Washington Elementary) until Sprankle Gym opened in 1950, a total of 24 years.

The D-B Dome seats 5,500 for basketball. Sprankle Gym held 2,000. And yet neither was ever home to the Tennessee State Basketball Tournament.

The old “Girls’ Gym” was!

What? Yes!

A little band box like that was home to the State Tournament. (When I was in high school, the State Tournament was staged annually in Vanderbilt’s Memorial Gym, which seated 6.583. My senior year it moved to the new Mid-South Coliseum in Memphis, seating capacity 11,200.)

But it was.

Knoxville High Trojans (in dark jerseys) take on Nashville Isaac Litton in 1938 State Tournament in D-B Gym. Knoxville won 36-34.

How did Kingsport get the state tournament?

The state tournament was first held in 1921, co-sponsored by Vanderbilt and the Nashville Tennessean newspaper and held in Vanderbilt’s gym. (There were 14 entrants, two from East Tennessee – Chattanooga Central and Knoxville - and the winner was Nashville’s Hume-Fogg High.) The tournament was an annual event until it wasn’t, falling victim to squabbling between the public schools and private academies.

The two groups finally patched things up and as Kingsport Times sports editor Frank Rule noted in a March 1938 column:

“Last year, in the first state tournament in more than a score of years, Tennessee High (of Bristol) captured the meet, bringing the title to upper East Tennessee.”

That first state tournament in a dozen years was held in Milan, population 3,035. Milan was in west Tennessee, 100 miles northeast of Memphis and 140 miles west of Nashville. And 400 miles from Kingsport.

After the Milan event the TSSAA, the governing board of high school sports, decided to hold the tournament in the three sections of the state in rotation with East Tennessee selected for the ’38 event.

But where in East Tennessee?

The Nashville Tennessean reported, “The state basketball tournament will be staged the week ending March 19 in some city in East Tennessee to be designated by the East Tennessee board of control, which will act as a tournament committee.”

The University of Tennessee submitted a bid to hold the tournament in its Jefferson Hall and most - particularly the Knoxville sportswriters - just assumed UT would get the event.

In fact to them it wasn’t just an assumption, it was a fact. On March 21, 1937, the Knoxville News-Sentinel ran this headline:

’38 Hoop Meet At U-T

State Basketball Tournament Will Be Played In University Gymnasium, TSSAA Head Reveals.

“The Tennessee state basketball tournament will be held at the University of Tennessee next year, The News-Sentinel learned Saturday in a long-distance telephone conversation with S. E. Nelson of Chattanooga, who is chairman of the TSSAA board of control. Mr. Nelson said that this had not been decided recently but was worked out two months or so ago when it was decided to revive the state meet.”

But then ten months later, the committee met.

As reported in the Feb. 6, 1938 Knoxville Journal, "The attitude of the TSSAA is that since the high schools supply the teams, and the meets are for their benefit, they should be held in high school gyms," declared President V.F. Goddard of Aloca. "Therefore, the board selected Kingsport High school, which has all the facilities for a successful state meet.”

That band box had all the facilities? It must have been a low bar.

So it was that the headline in the Feb. 6 Kingsport Times read: Tennessee Cage Tournament Is Awarded Kingsport.

“The state high school boys' basketball tournament will be played in Kingsport on March 17, 18 and 19, according to an announcement by C. K. Koffman, principal of Dobyns-Bennett high school and member of the East Tennessee Board of Directors of the Tennessee Secondary Schools Athletic Association. Decision to hold the state tournament in Kingsport was reached late yesterday during a meeting of the board held in Knoxville. Nine members are included on the board representing East, Middle and West Tennessee.”

The tournament set-up was an unusual, perhaps even clumsy arrangement:

“Eight teams will be invited to participate in the tournament. Three regional tournaments will be held with the winner and runner-up invited to place teams in the state tournament. In addition, two other teams will be invited to take part in the tournament in order to complete the bracket.”

And there was no guarantee that Dobyns-Bennett would be one of the eight.

“Whether Kingsport will be one of the teams representing East Tennessee depends upon its showing during the remainder of the season.

“Two upper East Tennessee teams may be invited to participate in the tournament in order to round out the eight-team bracket provided they continue the pace already set in conference circles. They are Kingsport and Morristown in the Big Six Conference with Blountville standing better than an even chance to be selected by virtue of the team's excellent showing in the upper region of the state.”

As it turned out Kingsport wasn’t selected to play in the state tournament held in its own gym – it lost its final three games of the regular season, sealing its sideline seat. (Milan had been selected to play in the tournament held in is gym the previous year so there was a precedent for inviting the host team.)

Blountville made the tournament, but the rest of upper East Tennessee was shut out.

The final eight teams, in addition to Blountville, were Chattanooga City, Memphis Whitehaven, Nashville Central, Friendsville, Nashville Isaac Litton, Knoxville and Adamsville.

The March 17, 1938 Kingsport Times announced, “Tennessee high school basketball will start its fadeout here today as eight leading teams from every section of the state swarm on Dobyns-Bennett gym in the annual state tournament, the grandest cage exhibition of the year.


Nashville Central (dark jerseys) lost to Friendsville 39-31.

“Tournament officials announced today that the largest crowd in history was expected to attend the games which come to upper East Tennessee this year for the first time.”

How many fans were expected in that bandbox?

Coach Leroy Sprankle, who was in charge of the ticket distribution, told the Times there would be tickets for 250 students and 400 adults.

That’s a total capacity of 650, which by any definition is a “bandbox.”

If you need further proof, when the D-B Gym opened in 1926, the newspaper reported, “The gymnasium is a 72 by 116 foot affair, basketball court being 75 by 50 feet.”

When Sprankle Gym opened it was listed as “100 feet by 60 feet with a full 50 by 84-foot court.”

As for ticket sales, the tickets were originally to be held for D-B students and Kingsport residents. But then D-B didn’t make the tournament, and an early story called turnout “disappointing.”

D-B students congregate in tiny bleacher section of D-B Gym during lunch hour. From 1948 yearbook. 

It was still termed “the most successful tournament every held under TSSAA” by the Times with Memphis Whitehaven, which traveled 540 miles by train to get to Kingsport, defeating the Knoxville Trojans 48-41 for the state championship.

The only state high school basketball championship ever held in Kingsport was won by a team that had endured a 20 hour train ride, changing from the Southern line to the Clinchfield line in Chattanooga.

Since 1973 the State Tournaments (Boys and Girls and the various divisions broken up by school size – it can be as many as 12 separate tournaments) has been held at Middle Tennessee State’s Murphy Center, seating capacity 11,658, court length 94 feet.

That 1938 state tournament in Kingsport really was held in a bandbox.

But the folks from out in the state were still impressed. Fletcher Sweet of the Knoxville Journal wrote, “The state tournament was a pronounced success in every respect, in spite of the fact that no Kingsport team was in the championship contention. Attendance throughout was excellent and Director Koffman said that the management would at least break even on expenses. ‘If we can do that,’ he said,

‘we will feel that the meet has been more than successful, because we were glad to have the event here and we were delighted to bring it to this part of the state.’”

Sweet wrote that officials of the tournament, “Director C. K. Koffman, especially have been expediting the tournament with excellent efficiency. The teams are fed at the high school and quartered in a downtown hotel. (Hopefully the Kingsport Inn and not the Bumstead, er, Homestead Hotel.) Their transportation to the gym is provided.”

 

 

Here’s the yearbook photo of the 1938 Dobyns-Bennett team that didn’t make the state tournament played in its own gym:

 


Front row: Junior Minnich, George Peters, Sam Young, Jack Pectol.

Back row: B. B. Sullivan, Roy Hale, Hugh Blessing, Herman Ellis, Lonzo Barrett.

Coach: LeRoy Sprankle

Manager: John Parker

 

The 1937-1938 D-B team record: 18-12. Kingsport lost its last three games and also lost to the only two eventual tournament teams it played, Knoxville and Chattanooga.

B-team members included future D-B stars John Robert Bell, Lawrence Thayer and Tommy Peters (George Peters’ twin brother.)

 



Friday, February 27, 2026

The Music of Your Life

 


There was always music in our house when I was a kid. Neither of my parents played a musical instrument but they could play the radio.

And in the early fifties radio in Kingsport meant WKPT.

We had a Westinghouse console radio that played AM, FM (not that there was much choice on the FM dial) and shortwave. If you opened the doors in the front of the cabinet, a record player would slide out.

And we had a carboard box full of 78s, everybody from the Andrews Sisters to the Ink Spots. The stuff they played on WKPT.

Popular music, they called it.

You can still find that kind of “popular music” on radio, but it’s mostly satellite radio: 40s Junction and Siriusly Sinatra on SiriusXM, assorted channels on Amazon’s Prime Music. For twenty years or so there was a syndicated format called “The Music of Your Life” that popped up on AM stations around the country (including Bristol’s WOPI-AM). That syndicated format ended in 2016.

But I found charts of the most popular of that popular music of the forties and fifties in a trove of old Variety newspapers (“the Bible of Showbusiness”) posted on the Internet Archive (archive.org).

Just reading those old pop charts – “Songs with the Largest Radio Audience,” “Best Sellers on Coin Machines,” “Retail Disk Best Sellers” - took me back to carpool days, when my dad would drive the neighborhood kids to Johnson Elementary. He always had WKPT on the car radio, background for our chatter about classroom aquariums and recess softball games.

We weren’t old enough to ask for WKIN, if we even knew it existed. WKPT was the soundtrack of Kingsport then.

Eventually rock and roll and country music took over the local airwaves. Patti and Doris and Bing and Benny were filed away in the library of 78s.

That’s why I was so intrigued when I came across that stash of old Variety scans on the Internet Archive. And when I say a stash, I mean scanned issues going all the way back to the days when Al Jolson was still performing in the circus!

Variety began in 1905 as a publication covering vaudeville and related entertainment venues like fairs, circuses, burlesque shows, “legitimate theater” and movies, such as they were in 1905. It ran no-punches-pulled reviews of traveling acts and the performers are said to have loved the criticism, using it to help hone their shows.

Pretty soon Variety was also publishing lists of the most popular and best-selling songs: Best Selling Sheet Music, Top Selling Records, Most Popular Songs on the Coin Machines (Jukeboxes).

 

I came along in August 1947, the week that Variety published this list of “Songs With Largest Radio Audiences.”

Variety didn’t even bother to rank them, just list them alphabetically:

 

The top 32 songs of the week of Aug. 6, (1947), based on the copyrighted Audience Coverage Index Survey of Popular Music Broadcast over Radio Networks. Published by the Office of Research, Inc., Dr. John G. Peatman, Director. Survey Week of July 25-31, 1947. (Dr. Peatman was a psychology professor at City College of New York whose side hustle was radio research.)

  • Across the Alley From the Alamo — The Mills Brothers
  • Ain’tcha Ever Comin’ Back — Frank Sinatra
  • Almost Like Being in Love — Frank Sinatra
  • An Apple Blossom Wedding — Sammy Kaye (vocal: Don Cornell)
  • As Long As I’m Dreaming — Bing Crosby
  • As Years Go By — Elliot Lawrence & His Orchestra
  • Ask Anyone Who Knows — The Ink Spots
  • Cecilia — Bob Crosby and orchestra
  • Chi-Baba, Chi-Baba — Perry Como
  • Come to the Mardi Gras — Freddy Martin & His Orchestra (vocal: Stuart Wade)
  • Deep Down in Your Heart — Bob Crosby & The Modernaires
  • Don’t Tell Me (from The Hucksters) — Margaret Whiting
  • Echo Said “No” — Guy Lombardo & His Royal Canadians (feat. Don Rodney with the Lombardo Trio)
  • Ev’rybody and His Brother — The Modernaires with Paula Kelly
  • Feudin’ and Fightin’ — Dorothy Shay (“The Park Avenue Hillbilly”)
  • Have But One Heart — Vic Damone (also recorded by Frank Sinatra)
  • I Want to Be Loved (But Only by You) — Savannah Churchill
  • I Wish I Didn’t Love You So — Vaughn Monroe
  • I Wonder, I Wonder, I Wonder — Eddy Howard
  • I Wonder Who’s Kissing Her Now — Ted Weems Orchestra with Perry Como
  • Ivy — Jo Stafford / Dick Haymes (both charting hit versions)
  • Je Vous Aime (from Copacabana) — Andy Russell (featured in film with Carmen Miranda)
  • Kate (Have I Come Too Early, Too Late) — Eddy Howard
  • Lady From 29 Palms — The Andrews Sisters
  • Mam’selle — Art Lund
  • My Heart Is a Hobo — Bing Crosby
  • Passing By — Buddy Clark
  • Peg O’ My Heart — The Harmonicats
  • Red Silk Stockings and Green Perfume — Sammy Kaye
  • Tallahassee — Vaughn Monroe
  • That’s My Desire — Sammy Kaye
  • Whiffenpoof Song — Bing Crosby with Fred Waring

 

I remember only a handful of that Top 32 but in my defense, I was only one day old.

If I had been listening to WKPT in August 1947, that’s probably what I would have been listening to.

As for ones that had an afterlife, I’m familiar with a handful:

Almost Like Being in Love — Frank Sinatra
This one became a full-blown Great American Songbook standard. Covered endlessly (Sinatra again, Ella Fitzgerald, Nat King Cole, Sammy Davis Jr.), used in films, TV, and cabaret acts ever since.

I Want to Be Loved (But Only by You) — Savannah Churchill
Outlived 1947 because Dinah Washington recorded a later hit version.

I Wish I Didn’t Love You So — Vaughn Monroe
Another song covered by Dinah Washington and thus given a second life.

I Wonder Who’s Kissing Her Now — Ted Weems with Perry Como
Actually older than 1947—and that’s why it survived. A perennial barbershop and nostalgia standard with countless recordings.

Peg O’ My Heart — The Harmonicats
A monster instrumental hit that never quite went away. Revived in oldies radio, novelty instrumentals, and later pop culture. You may know it from “Downton Abbey” or “The Singing Detective.”

(I don’t remember “The Lady from 29 Palms” or “Across the Alley from the Alamo” but I hear them now on 40s Junction.)

 

I started school in September 1953 and that’s when WKPT became background music for the carpool. The top song on the jukebox that week, according to Variety, was a weeper called “Vaya Con Dios” by the husband-and-wife team of Les Paul and Mary Ford. Yes, that Les Paul, of the Gibson Les Paul solid body electric guitar. But I would have been more interested in the number three tune, the theme from one of my favorite TV shows, “Dragnet.” Dun-duh-dun-dun! (I don’t know if that approximates the familiar “Dragnet” theme.)

 

Top Ten Best Sellers on Coin-Machines Sept. 2, 1953

1. “Vaya Con Dios” – Les Paul and Mary Ford

2. “You, You, You” – Ames Brothers

3. “Dragnet” – Ray Anthony

4. “Oh!” – Pee Wee Hunt

5. “I’m Walking Behind You” – Eddie Fisher

6. “C’est Si Bon” – Eartha Kitt

7. “Hey Joe” – Frankie Laine

8. “I'd Rather Die Young (Than Grow Old Without You)” – Hilltoppers

9. “No Other Love” – Perry Como

10.              “Crying in the Chapel” – June Valli

 

I remember four of them.

“Vaya Con Dios” – Les Paul and Mary Ford

“You, You, You” – Ames Brothers

Three wholesome brothers harmonizing about, well, you.

“Dragnet” – Ray Anthony

Just the facts, ma’am, with a trumpet section.

“Crying in the Chapel” – June Valli

June (real last name: Foglia) was no relation to Frankie (real last name: Castelluccio). Need proof? Compare this religious weeper with say Frankie and the Four Season’s first hit “Sherry.”

 

Among the others:

“Hey Joe” – Frankie Laine is not that “Hey Joe,” the one about going somewhere with a gun in your hand, made famous by Jimi Hendrix, but Frankie Laine’s “Hey Joe, where’d you get that pearly-girly,” whatever a pearly-girly is.

 “I'd Rather Die Young (Than Grow Old Without You)” – Hilltoppers

The Hilltoppers formed at what was then known as Western Kentucky College, whose sports teams were known as the Hilltoppers. I don’t remember any of their songs.

“No Other Love” – Perry Como

I listened to this on YouTube to make sure I didn’t remember it. I didn’t. And I thought I’d heard every Perry Como song. I did remember the cardigan on the YouTube video.

 

The 1953 jukebox was a strange place - half nightclub, half confessional, with occasional detours into French sophistication and police procedurals.

Then came 1957, my fourth-grade year, when the the carpool was packed and the jukebox was having a full-blown identity crisis. Half the records are screaming rock and roll is the future, the other half are politely asking if everyone could please calm down.

Top Ten Best Sellers on Coin Machines May 1, 1957

1. All Shook Up – Elvis Presley

2. Little Darlin’ – The Diamonds

3. Round and Round – Perry Como

4. Party Doll – Steve Lawrence / Buddy Knox

5. Gone – Ferlin Husky

6. Butterfly – Andy Williams / Charlie Gracie

7. Why Baby Why – Pat Boone

8. Walking After Midnight – Patsy Cline

9. I’m Walkin’ – Fats Domino

10.              Dark Moon – Bonnie Guitar

 

Second Group (that’s what Variety called them instead of, say, 11-20.

  • Ninety-Nine Ways – Tab Hunter
  • Marianne – Hilltoppers
  • School Days – Chuck Berry
  • Come, Go With Me – Del-Vikings
  • Mama, Look at Bubu – Harry Belafonte
  • Rock-a-Billy – Guy Mitchell
  • So Rare – Jimmy Dorsey
  • I’m Sorry – Platters
  • Almost Paradise – Roger Williams / Norman Petty Trio / Lou Stein
  • Teen-Age Crush – Tommy Sands

 

Now we’re talking songs I remember!

(May 1, 1957)

1. All Shook Up – Elvis Presley

The King at full throttle. This record didn’t just top jukeboxes—it sat on them. Parents panicked, teenage girls swooned, and Elvis proved once again that hips could, in fact, change history.

2. Little Darlin’ – The Diamonds

A novelty record disguised as doo-wop. Ridiculously exaggerated, impossible to forget, and played so often it probably violated noise ordinances.

3. Round and Round – Perry Como

Here’s Perry, calmly reminding everyone that rock and roll is just a phase and cardigans will outlive us all.


4. Party Doll – Steve Lawrence / Buddy Knox

Two Americas collide. Steve Lawrence’s version made it safe. Buddy Knox made it wiggle. Guess which version kids preferred? Buddy Knox, whose next “big” hit was “Hula Love.” I don’t remember it or any of his other recordings.


5. Gone – Ferlin Husky

Heartbreak, country-style: sincere, mopey, and sung like someone just stared at the phone for six hours. A massive hit that proved misery sells just fine without electric guitars.


6. Butterfly – Andy Williams / Charlie Gracie

Andy Williams polished it until it shone. Charlie Gracie gave it a little edge. The jukebox split the difference and played both, mostly to keep everyone happy.


7. Why Baby Why – Pat Boone

Pat Boone doing rock and roll in quotation marks. Clean, gentle, and approved by church committees nationwide. Wild enough to suggest rebellion, safe enough to sell it at Sears.


8. Walking After Midnight – Patsy Cline

Actual emotion sneaks onto the chart. Patsy Cline delivered heartbreak with class and a voice that made everything else sound like rehearsal. The jukebox briefly grew up.


9. I’m Walkin’ – Fats Domino

While everyone else debated the future of music, Fats Domino just made hits.


10. Dark Moon – Bonnie Guitar

A dreamy, floaty ballad: not revolutionary, not dangerous, just proof that melancholy still had a market in 1957. Today say the name Bonnie Guitar and even geezers shrug their shoulders.


Second Group (a.k.a. The Waiting Room)

Ninety-Nine Ways – Tab Hunter

Movie star sings! Hollywood hoped that would be enough. It wasn’t—but fans were polite about it.


Marianne – Hilltoppers

Pleasant, tropical-flavored escapism. Sounded great until something louder came along—which was most of 1957.


School Days – Chuck Berry

Here’s the future, briefly slumming in the “Second Group.” Smart, sharp, and destined to outlive half the Top Ten combined.


Come, Go With Me – Del-Vikings

Doo-wop bliss. Harmonies, romance, and street-corner cool—this one was already plotting its long-term survival.


Mama, Look at Bubu – Harry Belafonte

Calypso comedy: Fun, rhythmic, and proof that novelty didn’t have to be dumb, just charming.


Rock-a-Billy – Guy Mitchell

The title promised rebellion. The record delivered Guy Mitchell. Close, but no switchblade.


So Rare – Jimmy Dorsey

A big-band ghost wandering through the rock era, politely reminding everyone what used to matter.


I’m Sorry – Platters

Silky smooth heartbreak that never really goes out of style. Even when trends changed, the Platters just kept sounding expensive.


Almost Paradise – Roger Williams

Instrumentals still hanging on, hoping no one noticed the guitars getting louder.


Teen-Age Crush – Tommy Sands

The next Elvis! He even married Nancy Sinatra. After his expulsion from the Sinatra family, his career pretty much went to Teen Heaven. He eventually settled in Fort Wayne, Indiana, performing the occasional dinner theater gig. “Teen-Age Crush” was pretty much the peak of his career. He was 19.

 

1957’s jukebox was torn between hips and hymns, guitars and good manners. Rock and roll was clearly winning, but it still had to share space with crooners, novelty records, and anything that wouldn’t frighten adults.

 

How did those 1957 chart-toppers age?


AGED BEST (Still alive, still played, still matter)

Elvis Presley – “All Shook Up”

Unkillable. Still in movies, commercials, documentaries, and karaoke bars. It didn’t just age well — it became historical bedrock.


Chuck Berry – “School Days” (Second Group)

This is the sleeper MVP. It wasn’t even Top Ten here, but it’s now rock’s Rosetta Stone. Guitar players still learn it. Jukeboxes may have hesitated, history did not.


Fats Domino – “I’m Walkin’”

Pure joy, no expiration date. Sounds as fresh now as it did then, and nobody has ever objected to it. That alone is a miracle.


Patsy Cline – “Walking After Midnight”

Grew in stature with every passing decade. Once just a hit, now a pillar of American music. Timeless heartbreak beats trendy rebellion every time.


The Platters – “I’m Sorry” (Second Group)

Silky, elegant, and still capable of stopping people mid-sentence. Doo-wop that aged like formal wear.


Del-Vikings – “Come, Go With Me” (Second Group)

Still turns up in movies, commercials, and oldies playlists. Proof that harmony never goes out of style.

 

 

AGED… FINE (Contextual, but not immortal)

Little Darlin’ – The Diamonds

Still famous, but mostly as a novelty artifact. You admire it, you chuckle, you don’t put it on repeat.


Ferlin Husky – “Gone”

A classic within its genre, but unlikely to cross generations unless someone’s already wearing cowboy boots.


Andy Williams – “Butterfly”

Pleasant, professional, and frozen in amber. Works perfectly… in 1957.


Bonnie Guitar – “Dark Moon”

A lovely mood piece that survives as a deep cut rather than a cultural landmark.


Harry Belafonte – “Mama, Look at Bubu” (Second Group)

Still charming, still fun, but more historical curiosity than evergreen hit.

 

 

AGED POORLY (Time was not kind)

Pat Boone – “Why Baby Why”

Once safe, now sanitized beyond usefulness. Boone’s legacy survives mostly as a counterexample.


Steve Lawrence – “Party Doll”

The version history did not choose. Buddy Knox lives on; this one mostly doesn’t.


Guy Mitchell – “Rock-a-Billy” (Second Group)

The title promised danger. The record delivered reassurance. History noticed.


Tab Hunter – “Ninety-Nine Ways” (Second Group)

Movie-star novelty that vanished the moment the movie-star novelty wore off.


Roger Williams – “Almost Paradise” (Second Group)

Instrumentals faded fast once guitars took over. Polite applause, then silence.

 

 

AGED WORST (Almost completely erased)

Jimmy Dorsey – “So Rare” (Second Group)

Big-band déjà vu in a rock-and-roll world. By 1957, this was already a museum piece pretending not to be.


Tommy Sands – “Teen-Age Crush” (Second Group)

Manufactured teen angst with no staying power. The kind of song that only survives in trivia books.

 

 

By 1962, the year I started high school, Variety was no longer tracking the “Coin Machines.” People, mostly teens, were buying records, mostly 45s.

 

Variety Top Singles August 2, 1962

1. Roses Are Red — Bobby Vinton

2. Breaking Up Is Hard to Do — Neil Sedaka

3. Wolverton Mountain — Claude King

4.Wait a While — Orlons

5. Sealed With a Kiss — Brian Hyland

6. Speedy Gonzales — Pat Boone

7. Stripper — David Rose

8. I Can’t Stop Loving You — Ray Charles

9. Ahab the Arab — Ray Stevens

10.              You’ll Lose a Good Thing — Barbara Lynn

11.              Loco-Motion — Little Eva

12.              Things — Bobby Darin

13.              I Need Your Loving — Don Gardner & Dee Dee Ford

14.              Gravy — Dee Dee Sharp

15.              Party Lights — Claudine Clark

16.              Johnny Get Angry — Joanie Sommers

17.              Twist and Shout — Isley Bros.

18.              It Keeps Right On A-Hurtin’ — Johnny Tillotson

19.              Dancing Party — Chubby Checker

20.              Theme From Dr. Kildare — Richard Chamberlain

21.              Heart in Hand — Brenda Lee

22.              It Started All Over Again — Brenda Lee

23.              Bring It On Home to Me — Sam Cooke

24.              Palisades Park — Freddy Cannon

25.              Girls Girls Girls — Eddie Hodges

26.              Addio — Emilio Pericoli

27.              Ring Between — Bud & Ives

28.              You Don’t Know Me — Ray Charles

29.              Shame on Me — Bobby Bare

30.              Swingin’ Safari — Billy Vaughn

31.              Bongo Stomp — Jay & Flip

32.              Vacation — Connie Francis

33.              Fortune Teller — Bobby Curtola

34.              Little Diane — Dion

35.              Rinky Dink — Dave Cortez

36.              Sheila — Tommy Roe

37.              Little Red Rented Rowboat — Joe Dowell

38.              She’s Not You — Elvis Presley

39.              I Don’t Love You No More — Jimmy Norman

40.              Devil Woman — Marty Robbins

41.              Snap Your Fingers — Joe Henderson

42.              Having a Party — Sam Cooke

43.              Steel Guitar and a Glass of Wine — Paul Anka

44.              Limbo Rock — Chubby Checker

45.              West of the Wall — Toni Fisher

46.              I’ll Never Dance Again — Bobby Rydell

47.              Above the Stars — Acker Bilk

48.              Goodnight Irene — Jimmy Reed

49.              Follow That Dream — Elvis Presley

50.              Have a Good Time —Sue Thompson

 

If you’re reading this, you don’t need my comments on these songs. You remember them.

A personal footnote: I interviewed Chubby Checker – who had two hits on this chart - in 1975 before his performance at the Flamingo Club in Bristol, Tennessee. I stayed for the show and he invited/coaxed me on stage. So I can say, proudly, that I did the Twist with Chubby Checker!


Chubby Checker twisting with unknown fan (not me) at Flamingo Club in Bristol in 1975.



Here is that 1975 story about the Chubby Checker show in Bristol:

Twistin’ the night away

By VINCE STATEN
Times-News Weekender Editor

The whole house is standing as he strolls down the aisle. They’re applauding, straining on tiptoes, trying to see over the rows of people in front of them. Down front, people are shoving each other, trying to touch the King.

As he reaches the stage, he grips the microphone, pauses as a half-second of silence falls on the audience and then shouts in that old familiar voice:

“It’s party time!”

He cocks his head, kick-steps as the music builds, and smiles. Not a weak, tentative smile. But that old sassy grin. Another kick-step. Then a million-mile-an-hour hip gyration. And the crowd screams. Yes, screams.

“Do the Pony with your partner,” he sings, in his just-a-little-too-high voice.
“Now Twist with your partner.”

And the crowd screams again.

The King is back.

Yes, the King.

Elvis was the King, too. Sure. But that was for another generation. And the Beatles, they were different.

Chubby Checker. He was the King.

O.K., so it was only 250 people who were screaming. And most of them wouldn’t know Alice Cooper from Alice Faye. So Chubby Checker (real name: Ernest Evans) was only a brief flicker in the white heat of rock and roll.

But for one brief moment in the early ’60s, Chubby Checker was the King. So what if his recording name was a cheap pun on Fats Domino. And so what if the Twist was so simple that grandmothers were learning it. Everybody was twisting and everybody knew Chubby Checker.

His face is still so recognizable that he can’t do one of those American Express “remember me” ads.

And when Chubby played recently at the Flamingo Club in Bristol, he had them dancing in the aisles, again.

Fifteen years after his initial success, dancing is back. And so is Chubby Checker.

Not to where he was, of course. He’s now playing the small-town night club circuit, putting on two shows a night, sandwiched around an hour of the house boogie band.

But it doesn’t matter. He is a crowd pleaser. A show-stopper. It took three bouncers, four waitresses, and the club owner’s wife to hold back the crowd of females who wanted to dance with Chubby.

Every now and then, one would break through the line of defense, and Chubby would twist tauntingly with her for a few moments before the bouncers pulled her back.

“Thirty-five-year-old groupies twisting in supp-hose, the between-generation who were caught in the folk valley between Elvis and the Beatles with nothing to dance to. And then Chubby appeared.

A poor kid from south Philadelphia who was picked up by Dick Clark and rocketed to fame on the daily dance show “American Bandstand.” Chubby hitched his star to the Twist craze that he started and rode and rode and rode it. He released four different records with the word “Twist” in the title (if you include the Twist, which soared to the top of the record charts two separate times): “The Twist,” “Let’s Twist Again,” “Twist It Up,” “Slow Twisting.”

Chubby was the Barry White of the ’60s. The Dance King. After the Twist, he came up with something called the Fly. Then the Pony, the Mess Around and the Popeye. “Limbo Rock,” a 1962 dance hit that jumped on the limbo craze bandwagon, was his last big dance hit. He held on for a while, rehashing the Twist and the Limbo. And by ’65, he was reduced to recording covers for songs like “Do the Freddie.” He then discovered the roadhouse circuit - the one-nighters where he still toils.

Today discos are opening everywhere and dance mania is again sweeping the nation. Hard rock is grudgingly giving way to softer, more musical sounds. The whole country is dancing. And waiting for a new Chubby Checker to emerge. Would perhaps the old one do?

Chubby does the Limbo Rock at the Flamingo in 1975.