The Scat Cats Are Still in Demand
Back in 2016 I got an email from Tobias Kirmayer of
Tramp Records in Munich, Germany. “I am running a small record label here in
Munich on which I re-release privately-produced soul music from the 1960s/70s.”
Tobias was trying to get in touch with Donnie Flack,
the drummer from the Scat Cats, Kingsport’s seminal funk band of the sixties.
“I would be interested in licensing a song from Mr.
Flack for a CD/vinyl LP compilation album. The song to which I refer to was
released on 45 RPM single on an independent label called Trail Records.”
(That would be “Souling USA.”)
I gave Tobias what I had, a phone number and a mailing
address for
Donnie, plus an email address for the band’s booker and business manager.
He tried all three with no luck.
I think Tobias was aiming to include the recording
on “45 Single Collection Analogue Recorded Funk and Soul,” a series Tramp calls
“rare grooves” that is up to 10 volumes thus far.
You can wander around on the website,
tramprecords.com, and listen to tracks from many of the albums.
I was most intrigued by two tracks on Volume 9: “Helpless
Girl” and “Steppin’ Stone,” both by Little Mary Staten, who recorded – what little
she recorded – on the Los Angeles label GME. I can’t find much about her except
she was from San Diego and her music was produced by Ervin “Big Boy” Groves.
And she’s no relation.
But back to the Scat Cars…
For my generation the Scat Cats were made up of
Sonny Sanders, Arthur Flack, Donnie Flack and Kenny Springs.
But the first mention of the group, a September 1958
ad in the Times News for a dance at
the Civic Auditorium featuring “Sunny Sanders and the Scat Cats,” notes only
three members: “vocalizing Sunny Sanders, Joe Manuel and Carolyn Rock.”
I talked to Donnie Flack about the group back in
2003. Here’s my story about the Scat Cats early days:
It must have been around 1962 because Donnie Flack,
the drummer in the Scat Cats, says he and his brother Arthur were still
students at Douglass High School, Kingsport’s black high school in the days
before integration.
“There was this talent scout named J. Wolf passing
through Kingsport and he heard Sonny playing guitar.” Sonny would be Sonny
Sanders. “He asked Sonny if there was anybody else around who could play and
Sonny said, ‘Yeah.’”
Sonny introduced Wolf to the Flack brothers and a
singer named Joe Manuel. According to Donnie, Wolf dubbed them the Scat Cats -
hepcat was a term for a cool guy at the time - and bought the group members
uniforms. “And he never asked for anything in return. He just went around the
country doing stuff like that. He moved on.”
But the Scat Cats stayed in their hometown.
“That first
year we didn’t do a thing but play places in town. The Rollerdrome, I think it
was called, this skating rink downtown. East Tennessee State, all the colleges,
just about every high school. We did a lot of proms, VFW, Elks, the Teen Center
we played quite a bit. I can’t think of a place we didn’t play.”
If you were a teen in Kingsport in the sixties, you
saw the Scat Cats play. You knew how good they were. And you wondered how much
longer Kingsport could hold on to them. Not much.
Donnie says that after the first year, “Then things
really broke loose.”
After they opened for Ray Charles in Knoxville, a
booking agent put together a two-week tour of the south with Johnny Nash,
Lightning Hopkins and the Scat Cats. Donnie recalls, “The other guys were a lot
older. Me and Arthur were playing in night clubs and we weren’t even supposed
to be in night clubs.”
The tour wound up in Miami but Donnie says it was
such a success “they did not want us to come home. We just had our pick of
places to play.”
And they picked the Mary Elizabeth, a luxury hotel
once famous in the jazz world for hosting Cab Calloway, Count Basie and Lena
Horne. “Our club was open all day and all night and we did the night bar. This
place drew everybody. All the stars and the performers came in after their
shows.”
The Scat Cats were living high.
Mary Elizabeth Hotel in Miami
“There were these two guys lived on the top floor,
singers. They were just starting. They didn’t have any records. When they would
come back in from their shows, they could not wait to get on stage and sing
with us. They had this little short bow-legged guy for a manager. ‘These guys
need a good band,’ he told us. ‘They like you all; you’d make a good team.’ But
the club owners told us to leave him alone, he was the biggest crook in town.”
So the Scat Cats turned the two singers down and
returned to Kingsport. “It was about six months later they came to Johnson City
to the Armory. We went to see them, me and my brother and Sonny to catch the
show.”
The two guys the Scat Cats knew from Miami started
their show off with “Soul Man,” followed it with “Hold On I’m Coming,” then
continued with the rest of their hits.
“It was Sam and Dave. They seen us and they died
laughing. They said, ‘We told you.’ Here we were back home not making any money
and they had five or six hits. And that little bow-legged guy was still
managing them. We made a mistake. We could have been their band. I told my
brother we did a good one. We had a booking agent and they just told you where
to go. If we’d had a manager, we probably would have been hooked up with them.”
But it wasn’t over for the Scat Cats. They kept
playing in the area.
In the early seventies the Scat Cats traveled to
Nashville for a recording session with Columbia Records. By now Manuel had left
the group, replaced by Kenny Springs. “Floyd Cramer and Chet Atkins sat on in
the recording,” Flack recalls. The result was the single “Walking in the Rain”
and it was a pick hit in Billboard,
landing the Scat Cats bookings up and down the east coast. They later recorded
for Spot Records under the name Kenny Springs and the Scat Cats, releasing
“Nobody Else But You” backed by “Let Nobody Love You.”
But bookings fell off, life went on. The Scat Cats
stayed in touch.
Joe Manuel moved to Oakland, California and opened a
package store. “He got shot and killed when some guys robbed him,” says Flack.
Sonny Sanders moved to New Jersey. “He was in for
the Fourth of July. He had an accident working in a factory so he can’t play
guitar anymore. But he has a deejay service with six guys he contracts out.”
Flack says Kenny Springs now lives in Bristol. “He
had a son, Kenny Junior, they call him Scat. He’s got a band down in Nashville
doing commercials. He sings just like his dad.”
Donnie and Arthur are still in Kingsport.
The Scat Cats story does have a happy ending. The
group is now back together: Donnie, Arthur, Kenny. “And we’ve added the Wells
Brothers from Bluff City.” The Wells Brothers are another group from the
sixties. “They mostly played in Virginia; Roanoke and that end. They never did
do any recordings.”
The group has been practicing for about a month now.
Donnie says, “We rehearsed the other day. Oh, what a good feeling.”
Post Script to my original column:
Joe Manuel died in 1976. In high school at Douglass he
was voted Most Popular, Best Looking and Best All Around. He was student
director of the 40-voice Douglass Choral Club. He was also a basketball and
football star.
Arthur Flack died in 2006. He was on the Douglass basketball team in
1961-62.
1962 Douglass High basketball team; Arthur Flack is front row, far left
Kenny Springs died in 2007. His son, known as Scat
Springs, became a recording artist in Nashville. And Scat’s daughter Kandace
Springs is also a singer. She appeared
on the David Letterman show in 2014. She records for the legendary jazz label
Blue Note.
Charles “Sonny” Sanders passed away in 2017 in
Toledo, Ohio. After serving in the Navy, he had worked at Jeep in Toldeo.
If anyone sees Donnie, tell him Tramp Records is
trying to find him. Tramp wants to make Donnie and the Scat Cats famous again.
Scat Cats lineups over the years (spellings and misspellings as listed in thenewspaper):
1958 (from ad in Times
News): Sunny Sanders, Joe Manuel, Carolyn Rock. (I think there were other musicians who weren't listed in the ad.)
1963 (Times
News story about opening for Ray Charles in Knoxville): Donnie Flack,
Arthur Flack, Fletcher Hutcherson, Sonnie Sanders, Bobby Smith and Kenny
Springs.
1970 (from Times
News story): Donnie Flack, Arthur Flack, Lewis Symington, Freddie Horton.
1971 (from Times
News story): Donnie
Flack, Arthur Flack, Freddie Horton, “Bug” Horton, George Smith.
1994 (from live CD): Donnie Flack on drums, Brian
Dennison on bass, Marshall “Guitar” Davis on guitar, Arthur Flack on sax, Kenny
Springs on vocals.
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